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The exhibition “The Promise of Total Automation” investigated our relationship to a world of machines, technological objects, and electronic devices.
The prospect of a fully automated future—while acutely reshaping the notions of work, production, and value creation—also feeds emancipatory scenarios ultimately leading to the end of labor.
In an interplay of models, coping strategies, and experimental approaches, this publication combines research from cultural studies, artistic research, sound studies as well as architectural and urban theory.
Sam Thorne’s School: A Recent History of Self-Organized Art Education is a chronicle of self-organized art schools and artist-run education platforms that have emerged since 2000.
This year, it goes to Anna-Sophie Berger (*1989), Oscar Enberg (*1988), and Zac Langdon-Pole (*1988).
Der Jahresring stellt sich der Problematik eines neu formierten Rechtspopulismus, dem Phänomen Fake News und präsentiert psychologische Forschungsergebnisse wie beispielsweise den Backfire-Effekt.
Michael Hays, Yoshi Tsukamoto and Momoyo Kaijima of Atelier Bow-Wow reflect on representation, occupation, and the democracy of architecture.
They unfold their concept of an “ecology of livelihood,” wherein shadowless figures, objects, and spaces coexist with construction details.
From 2003 to 2014, these projects developed a creative space extended in time: in contrast with the duration of the work schedule, in which one task follows another, the simultaneity of life’s forces asserted its rhythm.
This book extends the recollection and mental reconstruction of the artworks and reconstitutes the project's political aims.